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Dating ampeg bass amps

The V Series Ampegs were designed by Dennis Kager, and remain very much within the Ampeg ethos – or, perhaps more accurately, represent an extension and enlargement of that ethos.As a result, this VT-22 is unlike anything before it; it doesn’t come close to copying any of the popular Marshall, Fender, or Vox amps of the era, and instead does its own thing entirely.To learn more about Amazon Sponsored Products, click here.This image, originally posted to Flickr, was reviewed on December 6, 2009 by the administrator or reviewer File Upload Bot (Magnus Manske), who confirmed that it was available on Flickr under the stated license on that date.{{Information |Description=V4 and B25 |Source=[ V4 and B25] * Uploaded by shoulder-synth |Date=2006-12-28 |Author=[ Bryan] |Permiss This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.It was the last year Brian Jones contributed to a Stones album (two tracks on 1969’s last year of the Altamont Speedway Free Festival—which was headlined and organized by the Stones, and billed as “Woodstock West.” Sadly, it’s primarily remembered for its fatalities, including the infamous scuffle between a Hells Angel and a murderous meth user. Ampeg’s Bill Hughes and Roger Cox designed the “Super Vacuum Tube” amps with help from Bob Rufkahr and Dan Armstrong. The 95-pound, 2-channel, 300-watt head was originally loaded with 14 tubes, including six large, volatile 6146 power tubes.Gear-wise, 1969 was the birth of Ampeg’s SVT amplifier—the backline choice not just for bassist Bill Wyman, but also for Mick and Keith Richards during the band’s 1969 U. A year later, the 6146s were switched out for more reliable 6550s.The 1972 Ampeg VT-22 is the 2×12″ combo of the V Series, and was the sibling, circuit-wise, of the V-4 head and V-40 4×10″ combo.All used four 7027A output tubes to generate a conservatively rated 120 watts, which can often top 140 watts downhill with a good tailwind… And though we say this was a rock-intended amp, it was rock as intended it – bold, punchy, clear, and ungodly loud. Perhaps fewer players than back in the day, but, back when it was introduced, it proved to be exactly what plenty of touring pros required, most notably the Rolling Stones.

Production models weren’t out yet and backup rigs weren’t an option, so Ampeg’s Rich Mandella joined the tour as the official SVT babysitter.Gear for musicians of all levels, Ampeg is a brand artists rely on, from the local bar to nationally touring acts.Ampeg's goal is to inspire and support musicians with world-famous, unmatched tone with their wide range of amp designs, ideal for every kind of application.The earliest “blue-line” SVTs like the one shown here (which has since been updated with KT88 tubes) had control panels engraved with blue lines and text, though Ampeg later switched to a more legible black format.SVTs of this era had volume, treble, midrange, and bass knobs for the first channel, while channel 2 only had volume, treble, and bass.

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